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Humility personified, but proud of his work, K Maruthachalam,
is a photographer of renown in and around Coimbatore. Coming from
an agrarian background, his first love is nature photography. He
has also done a lot of industrial photography and deserves to be
termed a pioneer in digital photography in the country. In this
informal chat with Coimbatorebest.com, he speaks about his
interest in photography and his experiences as a professional photographer.
Your interest in photography
I am basically from an agrarian family. I studied up to Pre-University
Course (PUC) and then got into farming, to give my family a helping
hand. Because I was involved in farming, I had a lot of interest
in nature. Then the thought came into mind – Why not photography?
At that time there was no one to teach photography and even literature
on photography and photographic equipment was non-existent. In
those days it took years just to get an interchangeable lens or
any other piece of photographic equipment. Also photography was
not very popular at that time. So it was very rare in the 60’s
to find anybody interested in photography.
Your first camera…
I started with Alfa Klik 3. Later, I got a regular 35 mm
German camera. Then, I got a 120 mm Roliflex and in '68,
I bought a Nikkor Mat FTM with interchangeable lens, after
which I gradually built up on my photographic equipment.
Your pet subjects
As
I said earlier, my interest in photography came about because of
my involvement with nature and my interest in birds came about because
of my involvement in photography. I became interested in bird photography
from the 70’s onwards and since then I have done several international
exhibitions. Birds, insects, animals and mainly nature I would
say…most of my award-winning visuals have been from these subjects.
Any special place where you went to take these snaps
That is the unique thing. ‘Nature’ does not’t mean only forests,
woods and waterfalls. It can be the tree next to your window or
your own backyard. I say that everything and anything that is created
by God and not influenced by man, is nature.Most of my snaps have
been taken in the farm where I lived. Do you know something (pointing
to the tree outside his office window) I have seen at least 14 to
15 varieties of birds on this very tree. There is so much of nature
that we are blind to.
What
is essential to photography of birds?
You need to watch them and you need to study ornithology. You
can’t just go and shoot birds. You will not be able to get a good
shot without studying the bird. The best period to shoot a bird
is its ‘nesting period’.
Any specific equipment that we need for taking ‘nature’ photography?
Normally you require a long lens, which is readily available nowadays.
It should not be difficult to get a good quality lens of range say
400 mm or so.
Your participation in international exhibitions?
I have participated in several international exhibitions and in
all these exhibitions my works have been exhibited along with the
works of leading photographers from all over the world. For these
international exhibitions, one has to submit four slides or four
prints, which will be the maximum. There will be at least 5,000
entries, from which the panel of judges will select 3 to 4% of all
the photographs and these photos will be accepted and displayed
at the exhibitions. So I have over 500 acceptances from these international
exhibitions. So you can imagine for yourself the quality of the
photographs that make it to the final selection.
I have been awarded a 5-star rating from the Photographic Society
of America and till ’76 I had this rating. A 5 star rating
is given for someone with more than 488 acceptances in international
exhibitions. At present I have a Diamond Star rating. Since 1986,
I have stopped exhibiting.
On
your recognition from PSA
There are three big photographic societies – Royal Photographic
Society, Federation of International Art Photography and the
Photographic Society of America. To my knowledge only three
or four Indians only have been awarded all three societies.
To become a member of the Royal Photographic Society all you have
to do is to submit 24 photographs. To be recognised by the Federation
of International Art Photography you should have 18 acceptances
in international exhibitions. You should submit evidence like prints
/ slides to show that you have taken the snap. So they look at
your quality of work as well as track record. In the Photographic
Society of America you cannot apply. It is they who will select.
They will look at your track record, your work and the service that
you have done to Photography through articles in various journals,
lectures and so on. I was the Chairman for Federation of Indian
Photographers, Nature Division. I had written articles for
the photographic magazine ‘PSA Journal’ from the Photographic
Society of America (PSA). I had also written a series of articles
on the necessity of saving birds and insects for the sake of agriculture.
I have also given talks and lectures on photography to a lot of
colleges, clubs like Lions Club etc,. The recognition from
the PSA is what I value most because very few have got it and because
it is so difficult to get.
Your perception of photography
Photography allows us to see something which we cannot see with
our normal eyes. You can write hundreds of words, but just one
image can have the effect of a thousand words. A very powerful
image can be a big influence. For example, so many articles were
written about the Gujarat Earthquake, but just a few powerful images
can wrench people’s heart. So photography should be used powerfully,
judiciously and above all with integrity.
In nature photography, it is possible to create very natural photographs
using digital photography. So it is very important that photographer
should have integrity to use his genius rather than have his photograph
manipulated digitally.
Any unforgettable incident that you remember while photographing
I had a terrific encounter with a King Cobra in Valayar
Hills. It was nesting and King Cobras are deadly and poisonous
and doubly so when they are nesting. All of a sudden I saw it,
when I was just 30 feet away from it. It is deadly and can even
outrun you. I just turned and ran and amazingly I was able to escape
as it gave up the chase after a short while. And another time I
had to escape a charging elephant.
On your involvement in Industrial photography
I have also done a lot of industrial photography. I have trained
people over the years. All my employees are freshers. The reason
I take freshers is because I can train them rather than having
to de-train them.
The kind of equipment you use
At present I use a Nikon system, a Leica system and
a Hasselblad according to the need. For the studio and for
industrial photography we use a Panoramic Noblex 180 degree
camera. This camera with its very small lens will rotate 180 degree.
We also have a field camera and a medium format camera.
On your lab
The reason I started this lab is because I wanted quality. Earlier,
when I used to participate in all these international exhibitions,
I used to send my films abroad for printing. Even then I was not
satisfied because the prints were not up to the mark and it was
also time consuming. So I decided to provide quality for those
who wanted it and who are willing to pay higher. When I started
this lab even Kodak was surprised because at that time this
was a very remote place, but today I am doing well because of the
quality that I give.
A few years back Fuji had conducted a competition for the
summer and a period of three months was given. It was a South India
competition and when the organisers looked up as to where the snaps,
which won the first few prizes had been printed, they found that
all the top three or four entries had been printed at my lab.
We maintain our lab on par with international standards. We use
gloves for handling, a simple precaution for protection against
scratches on the negatives and prints that is very rarely to be
seen in even the so-called ‘popular labs’. Our wastage is 10%,
while it is just 1 % for other labs.
On your collection of books on photography
My collection of books on photography has been done over 30 to
35 years. It started like this: I received my first camera when
I was in school in my 8th or 9th standard.
That was in the early 60’s. I had to get some books. Luckily,
books were not taxed at that time and even then I had to get permission.
On the photography industry in India
It is one of the fastest growing in India at a rate of 15% every
year. All the big companies like Kodak and Fuji are now concentrating
on India as the next biggest market after China. Another good phenomenon
is that a lot of world-class ads are being made in India. Here
the production cost is low compared to Europe with no compromise
on quality.
Text - Joseph Pradeep Raj R
Photographs - K Maruthachalam |
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